99% NO.46 Sarah 1992 and manifestation

and manifestation

Pushing the color around the surface with very large hard rubber combs places the artist at a different distance from that afforded by the monotype process

Williams believed that abstraction offered him much greater creative and expressive freedom than figural representation

“Why I create the way I do”

My current paintings explore iconography arrived at over the last 15 years

99% NO.46 Sarah 1992 and manifestationSedrick Huckaby'sThe 99% Projectis a part of an installation of 101 lithographic portraits produced at Brandywine Workshop and Archives, Philadelphia. He began this series by drawing family members and individuals he encountered near his neighborhood. Huckaby focuses less on locale than on the process of engaging with people who might otherwise be marginalized in society. Amidst creating works he asks his subjects to describe what is most important to